• Artist Statement
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  • SENSE
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  • AUTO ROBO ECO
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  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
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  • ABOUT
  • Bio
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  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • RECENT
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  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
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  • Hold
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
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  • POLLINATION
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  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
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  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
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  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
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  • Expanding the Parameters
  • 2021
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  • 2017
  • GO Magazine
  • 2015
  • Adult Mag
  • 2014
  • The Brooklyn Rail
HALO STARLING
∙ ∙ ∙ ∙ ∙ ∙ ∙
ABOUT
Artist Statement
Bio
CV
Community
Links & Contact
∙ ∙ ∙ ∙ ∙ ∙ ∙
RECENT
ARIADNE
YRIA
Fairy Prince
Portent Soul
TestoLupron
∙ ∙ ∙ ∙ ∙ ∙ ∙
FILM
PONY
V Day After
Julia Child
SUNRIDER
Hold
∙ ∙ ∙ ∙ ∙ ∙ ∙
VIDEO
BE NOT AFRAID
POLLINATION
YLIGML
aph·ro·dis·i·ac
Fruitr
∙ ∙ ∙ ∙ ∙ ∙ ∙
LIVE ART
Planet Femme
SENSE
Home Depot
Karan Devine
Black-Eyed Susan
∙ ∙ ∙ ∙ ∙ ∙ ∙
WORLDBUILDING
Sagewell Archives
Planet Femme
∙ ∙ ∙ ∙ ∙ ∙ ∙
CURATION
WINDOWS/BLINDS
PONY and Friends
Positive Futures
AUTO ROBO ECO
ASYLUM
Under the Seams
∙ ∙ ∙ ∙ ∙ ∙ ∙
CONFERENCES
CAA 112th
∙ ∙ ∙ ∙ ∙ ∙ ∙
PRESS
2024
ARTFORUM
2023
Deadline
2022
Expanding the Parameters
2021
Deadline
2020
PGN (for PONY)
PGN (Profile)
cinéSPEAK
2017
GO Magazine
2015
Adult Mag
2014
The Brooklyn Rail
Black Box Screening: Positive Futures
A night of video, film, and live performance

Curated by Halo Rossetti and Loraine Wible

Monday May 6th - 7-10 pm

at Vox Populi

FEATURING:

LIZ CAMBRON
PAMELA COUNCIL
JAZMYN CROSBY
ANGEL SHANEL EDWARDS / CHRIS LESTER / KAYLA WATKINS
ARIEL RENÉ JACKSON / MICHAEL J LOVE
ZAVÉ MARTOHARDJONO
VIRGINIA LEE MONTGOMERY
LASHA MOWCHUN / RACHEL SCHAPPERT
MADISON MUMMA
MAYBEL OVALLES
HALO ROSSETTI
THE PARTY
YINAN WANG
LORAINE WIBLE
WRRQ COLLECTIVE
When was the last time that you saw a film, or video, or performance piece that depicted a positive vision of the future? 

There is a dearth of optimistic storytelling in our culture. Capitalism has trouble imagining anything beyond its own demise, which is an effect of the desertification that emerges from unsustainable, imperialist approaches to mind, body, and earth. Without tangible, regenerative visions of the future, we have no other direction to orient ourselves except toward destruction.

We are interested in worldbuilding positive futures in the husk of the capitalist experiment. 

We are presenting time-based pieces that imagine futures, however conflicted, in which we all may thrive. 

These works consider positive futures for those of us who are neurodivergent, queer, dis/abled, people of color, historically under-resourced, and so on. 

These works imagine a future in which the overculture’s relationship to our planet is no longer one of resource domination and extraction, but rather one of interconnection and ecological regeneration. 

These works imagine futures invested in the decolonization and liberation of modern technology, which so often is created to serve the capitalist machine that will be our undoing. What of a future in which nature and technology fuse?
Black Box Screening: Positive Futures
A night of video, film, and live performance

Curated by Halo Rossetti and Loraine Wible

Monday May 6th - 7-10 pm

at Vox Populi

FEATURING:

LIZ CAMBRON
PAMELA COUNCIL
JAZMYN CROSBY
ANGEL SHANEL EDWARDS / CHRIS LESTER / KAYLA WATKINS
ARIEL RENÉ JACKSON / MICHAEL J LOVE
ZAVÉ MARTOHARDJONO
VIRGINIA LEE MONTGOMERY
LASHA MOWCHUN / RACHEL SCHAPPERT
MADISON MUMMA
MAYBEL OVALLES
HALO ROSSETTI
THE PARTY
YINAN WANG
LORAINE WIBLE
WRRQ COLLECTIVE
When was the last time that you saw a film, or video, or performance piece that depicted a positive vision of the future? 

There is a dearth of optimistic storytelling in our culture. Capitalism has trouble imagining anything beyond its own demise, which is an effect of the desertification that emerges from unsustainable, imperialist approaches to mind, body, and earth. Without tangible, regenerative visions of the future, we have no other direction to orient ourselves except toward destruction.

We are interested in worldbuilding positive futures in the husk of the capitalist experiment. 

We are presenting time-based pieces that imagine futures, however conflicted, in which we all may thrive. 

These works consider positive futures for those of us who are neurodivergent, queer, dis/abled, people of color, historically under-resourced, and so on. 

These works imagine a future in which the overculture’s relationship to our planet is no longer one of resource domination and extraction, but rather one of interconnection and ecological regeneration. 

These works imagine futures invested in the decolonization and liberation of modern technology, which so often is created to serve the capitalist machine that will be our undoing. What of a future in which nature and technology fuse?